My work emerges from the interplay between what I see and what takes shape within. Nature is a continuous source of inspiration — its forms, structures, and rhythms speak a language that reaches beyond the visible. When I close my eyes, new images appear: inner landscapes where perception and imagination converge.
These two worlds – the outer and the inner – are inseparably connected in my paintings and works on paper. I use photography to capture impressions that later resurface in my paintings, often transformed into abstract structures, fields of color, or archetypal forms.
The painting process itself is a form of exploration. Each layer I add or partially remove leaves traces — visible memories of an inner journey. The work evolves slowly, layer upon layer, until something becomes visible that was previously elusive.
I am fascinated by what lies beneath the surface: the invisible layers of experience, memory, and meaning. My work seeks to express this invisible realm — not as illustration, but as experience.
In series such as Inner Landscapes, I explore how imagination can open a space in which the viewer may wander or find recognition.
“Art is the expression of imagination and not the imitation of life.”
Henry Moore (1998-1986)